I was asked by set designer George Allison and producer Cat Parker to come in and work with the actor and the production assistants as we went through the order and mechanism of the card house. It does take some learning to make sure that the card house functions properly. In rehearsal, the actor with practice was able to handle it very well, but I suspect that after six weeks of performances, the cards will suffer a little from wear and tear. Afterall, they're only cardboard. The creation, methodology and psychology behind this effect is highlighted in an earlier post. Scroll down, if you'd like to read more.
Monday, February 09, 2009
The Real Thing
I was asked by set designer George Allison and producer Cat Parker to come in and work with the actor and the production assistants as we went through the order and mechanism of the card house. It does take some learning to make sure that the card house functions properly. In rehearsal, the actor with practice was able to handle it very well, but I suspect that after six weeks of performances, the cards will suffer a little from wear and tear. Afterall, they're only cardboard. The creation, methodology and psychology behind this effect is highlighted in an earlier post. Scroll down, if you'd like to read more.
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1 comment:
I studied at the T. Screiber studio back in the day. It was a great place, and I learned a lot. They had some exceptional teachers there. That was oh so many years ago now....
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